Coda

“Do we actually need another recording of the Goldberg Variations?” The question, at once impudently cheeky and playfully taunting, is posed in “Coda” by the long-time manager and friend of a world-famous classical pianist during an intimate outdoor lunch with, among others, his bemused client. Ironically, a similar question could be asked about the movie itself: Do we really need another drama about an aged artist who’s reinvigorated, professionally and personally, by a free-spirited and much younger woman? (Continue Reading on Variety)